Save ink costs and the environment.

You can dramatically lower your ink costs and help do your part in reducing dependency on toxic manufacturing materials and landfill use. ConeColor replacement inks for EPSON Ultrachrome K2, K3 and K3 Vivid printers have been carefully crafted by the makers of Piezography® to replicate the same EPSON color space that you have already been using. You can use your current RGB ICC profiles, or/and your current EPSON printer driver settings. We color managed the inks so that you do not have to. Nanotechnology manufacturing techniques that isolate and eliminate the static charge of each and every one of our pure pigment particles insures a formula that is both safe for your printer and has the greatest amount of fade resistance. You will not find the inclusion of dye in our formula.

Refillable cartridge systems are easy to use and fill.

At a glance you can see your ink levels and you never have to waste ink as you do with standard cartridges which when thrown away still contain valuable ink. The impact of this on the environment comes with the added benefit of reducing the amount of toxic and carcinogenic materials that are required in the manufacturer of semiconductor chips which are required for use in EPSON printers.

Our Reusable ink cartridges are made of high-quality PP which can be easily filled and re-filled time and time again from our bottles which in range in size from 250ml to one-liter (1000ml). Because you may need only one refillable cartridge set for the life of your printer, you will be dramatically reducing the amount of plastic cartridges being thrown out that would otherwise find their way into your local landfills. You can expect to save more than 65% of your current EPSON ink costs when you switch to ConeColor replacement inks for EPSON K2, K3, and K3 Vivid printers.



ConeColor in the News:

The Brattleboro Museum & Art Center is pleased to announce the release of Vermont Vernacular, a set of three signed museum-quality prints by landscape artists Wolf Kahn, Petria Mitchell, and Tim Allen, created by the world's leading digital printmkaing studio, Cone Editions of East Topsham, Vermont. They feature ConeColor 100%-pigment, fade-resistant inks on archival printmaking paper (Somerset Enhanced for Cone) with a deckled edge. Each artist's original landscape painting was scanned using Cone Editions' unique overhead-view camera, which is attached to a high-resolution scanner. The resulting digital file was color-matched to the original artwork. Cone Editions created several artist's proofs, making adjustments as necessary, until the artists were satisfied that the color and definition of their original artwork had been faithfully reproduced. The artists then authorized Bon à Tirer ("ready to pull") proofs, against which every print in the edition was matched. The edition was printed in June, 2009. Read more...


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